Saki Nishijima (Sayaka Fujimoto), an employee at major distribution company Ōsaki Trading, suffers harassment at work and considers changing jobs to Asuka Industries. Instead, she is deceived by her boyfriend Tomokazu Kawakita and forced into the sex industry. At her lowest point, Saki encounters Gensai (Makoto Gunji), leader of the religious group Daijōsai. Under his influence, she rises to become Gion’s No.1 hostess. However, Gensai is in reality a con artist who preaches salvation while swindling people out of vast sums of money. Oda, Suzuki, and Kanayama uncover connections between Daijōsai and the Ashikaga-kai and begin closing in on the truth. Unaware that Saki has become Gensai’s pawn, Suzuki finds himself increasingly drawn to her—placing both his heart and his life in danger.

Oda (Yasukaze Motomiya) is a young construction entrepreneur—but he also leads a vigilante group dedicated to eliminating the corruption festering in Kyoto. One day, he becomes entangled in a public works power struggle involving a construction company backed by the Ashikaga-kai, the largest crime syndicate in Kansai. With the help of former police detective Terao (Susumu Terajima) and the nationalist group Dai-Nippon Kikusui-kai, Oda launches a fierce battle to protect Kyoto from the encroaching underworld.

Oda (Yasukaze Motomiya) continues his double life as a construction businessman and leader of a vigilante force targeting Kyoto’s criminal underbelly. When Kanayama (Yoshiyuki Yamaguchi), Oda’s trusted subordinate, rushes in alone to save a hostess who has been set up by a host, he uncovers a violent organization exploiting women from the shadows. Chinese mafia groups, Shibata (Kanetake Kunimoto)—the “mad dog” of the Oshima-gumi—and detective Terao are all drawn into a rapidly escalating battle across the ancient city.

Oda Takanori (Yasukaze Motomiya), head of Asuka Industries and secret leader of a vigilante group, is approached by Nagoshi Kōnosuke (Yorikazu Morimoto), chairman of the Nagoshi Group, with an unusual request. He asks Oda to rehabilitate Jin Yamazaki (Kandai Ueda), his illegitimate son and a former host who once worked under the Murakami-gumi—a group Oda had previously dismantled. Though Oda reluctantly agrees, Kanayama strongly opposes the decision, while Suzuki (Ichizō Matsuda) tries to keep the peace. Meanwhile, Kuro-matsu Ichirō (Hitoshi Ozawa), chairman of the Ashikaga-kai–affiliated Kuromatsu-kai, is released from prison. Replacing his fugitive younger brother, he emerges as a powerful new enemy standing in Oda’s way.

The owner of a suburban art gallery searches for someone to perform an exorcism after a witch casts a spell on him.

The story follows a young lawyer, Arthur Kipps, who is ordered to travel to a remote village and sort out a recently deceased client’s papers. As he works alone in the client’s isolated house, Kipps begins to uncover tragic secrets, his unease growing when he glimpses a mysterious woman dressed only in black. Receiving only silence from the locals, Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true identity.

Follows the life of Stephen Dobyns as he deals with life, women, and his move from journalism to poetry.

Somewhere in a blurry space between the life and death instincts, BLACK.WHITE.RED. is a contemplative dream in front of the inner eye, shortly before one's own demise. A film that invites you to decipher it, but then refuses to explain it.

Charles, an attorney, and Helen, his devoted wife, seem to have everything – money, a beautiful mansion – the American Dream. However, as Helen prepares to celebrate their 18th wedding anniversary, her life takes an unexpected twist when she comes home to find her clothes packed up in a U-Haul van parked in the driveway. Charles is divorcing her and kicks her out. Helen moves in with her grandmother Madea, an old woman who doesn't take any lip from anyone. Madea helps Helen through these tough times by showing her what is really important in life. Helen is forced to rediscover love, life, and religion in her pursuit for happiness.